The Palgrave Handbook of the Philosophy of Film and Motion Pictures

<p></p><p></p>1.Frank Boardman – Film Ontology: Extension, Criteria, and Candidates.- 2. Noël Carroll – Medium Specificity.- 3. Nick Wiltsher and Aaron Meskin– The Moving Image.- 4. Patrick Keating – The Art of Cinematography.- 5. Angela Curran – Silly Questions and Arguments for the Implicit, Cinematic Narrator.- 6. Patrick Keating – Narrative and the Moving Image.- 7. Karen Pearlman – On Rhythm in Film Editing.- 8. David Davies – Animation.- 9. Paloma Atencia-Linares – Sound in Film.- 10. Ted Nannicelli – What is a Screenplay?.- 11. Richard Eldridge – Analytic Philosophy of Film (Contrasted with Continental Film Theory).- 12. John Ó Maoilearca – When the Twain Shall Meet: On the Divide between Analytic and Continental Film Philosophy.- 13. Shawn Loht – The Phenomenological Movement in Context of the Philosophy of Film and Motion Pictures.- 14. Espen Hammer – Ideology and Experience: The Legacy of Critical Theory.- 15. Paul Guyer – Stanley Cavell: What Becomes of People on Film?.- 16.Deborah Knight – Film Art from the Analytic Perspective.- 17. Carl Plantinga – Cognitive Theory of the Moving Image.- 18. Andrew Klevan – Aesthetic Criticism.- 19. Robert Sinnerbrink – Poststructuralism and Film.- 20. Eva M. Dadlez – Thoughtful Films, Thoughtful Fictions: The Philosophical Terrain between Illustrations and Thought Experiments.- 21. Thomas E. Wartenberg – Contemporary Philosophical Filmmaking.- 22. Robert Sinnerbrink – Filmosophy/Film as Philosophy.- 23. Douglas Lackey – The Auteur Theory in the Age of the Mini-Series.- 24. Tom Gunning – The Question of Poetic Cinema.- 25. Malcolm Turvey – Avant-garde Film as Philosophy.- 26. Vitor Moura – Show and Tell: The identification of documentary film.- 27. Laura T. Di Summa – The Autobiographical Documentary.- 28. Zoë Cunliffe – Feminist Philosophy of Film.- 29. Lewis R. Gordon– Race in Film.- 30. David A. Gerstner – How Do We Look So Far? Notes Toward a Queer-Film Philosophy.- 31. Jacob M. Held – Film, Art, and Pornography.-32. Sheryl Tuttle Ross – Propaganda and the Moving Image.- 33. Kristin Boyce – Film and Fine Art: Automatism, Automata and “The Myth of Total Cinema” in The Red Shoes and Tales of Hoffmann.- 34. John Dyck – The Sonic Art of Film and the Sonic Arts in Film.- 35. Garry L. Hagberg – Adaptation, Translation, and Philosophical Investigation in Adaptation.- 36. Jonathan Gilmore – Imagination and Film.- 37. Daniel Jerónimo Tobón– Empathy and Sympathy: Two Contemporary Models of Character Engagement.- 38. Jesse J. Prinz – Affect and Motion Pictures.- 39. Nick Pappas – Psychoanalysis and the Philosophy of Film.- 40. Ted Nannicelli – The Television Medium.- 41. Jon Robson and Aaron Meskin – Video games and Film.- 42. Gal Raz – Virtual Reality as an Emerging Art Medium and its Immersive Affordances.<p></p><br><p></p><p></p>