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Performance and the Disney Theme Park Experience

The Tourist as Actor

Paperback Engels 2021 9783030293246
Verwachte levertijd ongeveer 9 werkdagen

Samenvatting

This book addresses Disney parks using performance theory. Few to no scholars have done this to date—an enormous oversight given the Disney parks’ similarities to immersive theatre, interpolation of guests, and dramaturgical construction of attractions. Most scholars and critics deny agency to the tourist in their engagement with the Disney theme park experience. The vast body of research and journalism on the Disney “Imagineers”—the designers and storytellers who construct the park experience—leads to the misconception that these exceptional artists puppeteer every aspect of the guest’s experience. Contrary to this assumption, Disney park guests find a range of possible reading strategies when they enter the space. Certainly Disney presents a primary reading, but generations of critical theory have established the variety of reading strategies that interpreters can employ to read against the text. This volume of twelve essays re-centers the park experience around its protagonist: the tourist.

Specificaties

ISBN13:9783030293246
Taal:Engels
Bindwijze:paperback
Uitgever:Springer International Publishing

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Inhoudsopgave

<p>1. “Introduction” Co-Authored by Jennifer A. Kokai and Tom Robson Time, Tomorrowland, and Fantasy.- 2. “The Future Is Truly in the Past: The Regressive Nostalgia of Tomorrowland” by Tom Robson.- 3. “What’s Missing in FrontierLand?: American Indian Culture and Indexical Absence at Walt Disney World” by Victoria Lantz.- 4. “Staging Medieval Fantasy Through Tourism” by Christina Gutierrez-Dennehey Environments as Ideologies.- 5. “The Nemofication of Nature: Animals, Artificiality, and Affect at Disney World” by Jennifer A. Kokai.- 6. “Chinese Lions and Asian Beauties on Broadway Boulevard: Establishing a Satellite Broadway at Shanghai Disney” by Laura MacDonald.- 7. “Disney-fying Dixie: Queering the Laughing Place at Splash Mountain” by Chase Bringardner Liveness and AudioAnimation.- 8. “Dream Away: Disney’s Robot Dramas Revisited” by Li Cornfeld.- 9. “The Search for a Great, Big, Beautiful Tomorrow: Performing ‘Utopia’ with Non-Human Bodies in the Hall of Presidents” by Joseph D’Ambrosi.- 10. “The Royal Theatre Presents: Echoes of Melodrama and Minstrelsy” by Patrice Amon This Counter Identities.- 11. “Gated Amusement Parks, Disneyland, and the Codification of Colorblind Racism in the American Amusement Industry” by Jill Morris.- 12. “Club Villain: Transgression and Empowerment of Disney Villain Culture in the Happiest Place on Earth” by Christen Mandracchia.- 13. “The Park as Stage: Radical Consumer Performance” by Elizabeth Schiffler “Afterword” by Susan Bennett.</p><br>

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        Performance and the Disney Theme Park Experience