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Carries the judgment of democracy derived from Greek Goddess Athena. This book concludes with a thoughtful reminder - emphasizing the values of human engagement while providing philosophical support for the social contract in architecture. Meer
European Connections: Studies in Comparative Literature, Intermediality and Aesthetics is a peer-reviewed series that focuses on the literary and artistic relations that shape European cultures. Meer
Investigates the relationship between the dominant ideologies of British public life in the second half of the twentieth century. This book examines the influence of universalist and selectivist approaches to social housing and asks important questions about the connection between social values and government policy. Meer
The Poetics of Sight analyses the role of sight in memory, dream and popular culture and demonstrates the structure of a complex sight within literary and visual metaphors. Meer
Provides a map of the Italian twentieth century in the form of twelve essays. This volume explores the metaphysics of speed, futurist and dada typography, real and imaginary forms of architecture, shifting regimes of mass spectacle, the iconography of labour, and exhibitions as modes of public mobilization and persuasion. Meer
This book focuses on how the abject spectacle of the ‘monstrous feminine’ has been reimagined by recent and contemporary screen horrors focused on the desires and subjectivities of female monsters who, as anti-heroic protagonists of revisionist and reflexive texts, exemplify gendered possibility in altered cultures of 21st century screen production and reception. Meer
This book focuses on how the abject spectacle of the ‘monstrous feminine’ has been reimagined by recent and contemporary screen horrors focused on the desires and subjectivities of female monsters who, as anti-heroic protagonists of revisionist and reflexive texts, exemplify gendered possibility in altered cultures of 21st century screen production and reception. Meer
In this edited volume, Kasi Lemmons, the first African-American woman auteur to solidly and steadily produce a full body of work in cinema—an oeuvre of quality, of note, of international recognition—will get the full film-studies treatment. Meer
This volume explores the relationship between Francophone women and the material world. Topics include: the female body and objectification; contradictions of the im/materiality of the body; ‘the material’ and women’s engagement with the economy; the relationship of the female body to material objects; cinematic representations of the female body. Meer
This volume directs a transdisciplinary gaze on the field of Renaissance Studies as currently practised in Europe, the USA and beyond, asking what Renaissance Studies has to say to contemporary society. Meer
This new study traces the development and evolution of the writings of Roger Fry (1866-1934), a highly influential art critic who introduced modern French painting to Britain in the early twentieth century. Meer
Drawing together established and emerging scholars from across the arts, humanities and social sciences, this book examines the relationship of Dublin to Ireland’s social history through the city’s visual culture, including case studies of Dublin’s streetscapes, architecture and sculpture, and its depiction in literature, photography and cinema. Meer
Demonstrates that performance studies and practices are continuing to expand, suggesting that Ireland's text-centric theatre has begun to cast its net further afield and pointing to the rich possibilities within Irish theatre, scholarship and practice, now and for the future. Meer
The period from the 1850s to the 1890s in Paris marked a key turning point for poets and composers, as they grappled with the fresh ways in which poetry and music could intersect. Meer
This book analyses discourses around community, democracy, origin and Western identity in stage adaptations of Greek tragedy. It addresses the ways in which theatre produces and perpetuates the myth of ‘classical’ Greece as the origin of Europe and how this narrative raises issues concerning the possibility of a transnational European community. Meer
Cinema at the Shore argues that some of the most iconic moments in French cinema are associated with the beach, rather than the Parisian cityscape. Examining films from the 1950s to the present, from Brigitte Bardot in her bikini to François Ozon’s queer cinema, this book offers new ways of conceiving of the spacial politics of French cinema. Meer
Undead Memory explores the role that vampires play in how we remember our pasts and imagine our futures. From keepers of archives to symbols of memorial practice, the vampire in literary and filmic representations has embodied the human struggle with memory and identity. Meer
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